1 12 24 https://fourviewshist181.jenniferandrella.com/files/original/e5eea4a6b9957a480d5d7c43a29c352c.jpg 8f50d4fc6c279a7a7473e20d9e1d47ff Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data .jpg Image Physical Dimensions The actual physical size of the original image 700x547 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bow, bowcase, quiver, and arrows Description An account of the resource A bow, bowcase, quiver, and arrows, made for hunting purposes by a member of the Pikuni Blackfeet. Creator An entity primarily responsible for making the resource Unknown member of the Pikuni Blackfeet. Source A related resource from which the described resource is derived https://americanindian.si.edu/collections-search/object/NMAI_257709 Publisher An entity responsible for making the resource available National Museum of the American Indian Date A point or period of time associated with an event in the lifecycle of the resource Unknown Format The file format, physical medium, or dimensions of the resource .jpg Type The nature or genre of the resource Still Image Identifier An unambiguous reference to the resource within a given context Catalog Number: 24/2041 https://fourviewshist181.jenniferandrella.com/files/original/31a93297760d2b6448edf16f5a4c5553.pdf e1d17ee704a6cb491dbcadd8f72347e2 https://fourviewshist181.jenniferandrella.com/files/original/137a27f76aaab4be267145a02b90f1c1.jpg dab9a996361d69ff020a54053ddbaa2f https://fourviewshist181.jenniferandrella.com/files/original/7a282239a3c3926f68082c50f2dbbedd.jpg 4a9fbc30842883a3b771692c5d7e7a78 https://fourviewshist181.jenniferandrella.com/files/original/0116bf2694f01062db302ec8f19f2335.jpg edcf4ee7dc01bde95ef8f5255ae883af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooden Mask Subject The topic of the resource ceremonial/ritual uses Description An account of the resource Wooden mask that Is carved and painted Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived National Museum of the American Indian Date A point or period of time associated with an event in the lifecycle of the resource 1894-1907 Format The file format, physical medium, or dimensions of the resource 102 x 48 x 70 cm Language A language of the resource English https://fourviewshist181.jenniferandrella.com/files/original/e63f0e344f8b68e2994b414071a083bb.png e075073490975f8cd3d54a0c8f7f8c94 https://fourviewshist181.jenniferandrella.com/files/original/8f837056c1573e3492a8d83a1386e932.png 18984324127618d9e974c312db69af68 https://fourviewshist181.jenniferandrella.com/files/original/2d549f5ef49c208223c6a375c8897bf2.png bb997afccf63d79338d300b242f0ed45 https://fourviewshist181.jenniferandrella.com/files/original/d9913f52fdbda39036713879853bcac3.png 3df236c07ee9537c7e8bceab7d226975 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Views of a Model Canoe: Odawa Chiefs Assiginack and Mookoaanish Subject The topic of the resource Model Canoe Description An account of the resource An Odawa model canoe carved from wood Creator An entity primarily responsible for making the resource Chief Jean-Baptiste Assiginack Source A related resource from which the described resource is derived https://grasac.artsci.utoronto.ca/?p=397 Publisher An entity responsible for making the resource available Great Lakes Research Alliance Date A point or period of time associated with an event in the lifecycle of the resource March 28, 2013 Contributor An entity responsible for making contributions to the resource Canadian Museum of History Rights Information about rights held in and over the resource Public Domain Relation A related resource Chief Agssiginack's canoe Format The file format, physical medium, or dimensions of the resource Online Picture 3.1 in x 2.54 in Language A language of the resource English Type The nature or genre of the resource Still Images Identifier An unambiguous reference to the resource within a given context Canadian Museum of History (111-M-10-a-n) Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1815-1827 canoe chief assiginack chief mookomaanish odawa https://fourviewshist181.jenniferandrella.com/files/original/2ef5602ecf494c6bdb3064f80ab618e3.png 580bdedf562059108fa96ca8565df700 https://fourviewshist181.jenniferandrella.com/files/original/cf936b45201674c0500d2c7d06a11947.png ce6d06d82f6d9819afdeec8b8c2709a4 https://fourviewshist181.jenniferandrella.com/files/original/416118fb3f711751194e3be35f8bb10a.png 4577a5feca50e4aded522a849fabb3bb https://fourviewshist181.jenniferandrella.com/files/original/cacf3ceb5a5b80bf18740e4a24493c35.png 11aab05e9eb0f123faa47956e0c9bdf6 Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pikkstaan Protective Amulet Subject The topic of the resource Uploaded by Rhys Churchwell Description An account of the resource A protective amulet created by an unknown Piikani woman purchased in 1929 Creator An entity primarily responsible for making the resource Unknown Piikani woman Publisher An entity responsible for making the resource available <a href="https://mootookakiossin.ca/explore/objects/amulet_MAA_1929/intro">Blackfoot Digital Library</a> Date A point or period of time associated with an event in the lifecycle of the resource Purchased in 1925 Contributor An entity responsible for making contributions to the resource <a href="https://collections.maa.cam.ac.uk/objects/487824/">Cambridge Museum of Archeology and Anthropology</a> Rights Information about rights held in and over the resource <a href="https://collections.maa.cam.ac.uk/objects/487824/">Cambridge Museum of Archeology and Anthropology</a> Format The file format, physical medium, or dimensions of the resource 3D Model Type The nature or genre of the resource Physical hide and bead amulet amulet Blackfoot Confederacy naamsskii Piikani Nation piikstaan https://fourviewshist181.jenniferandrella.com/files/original/35bf0e56583bd3cc425708f05d58c7f2.png d1af1a926f0d84e43ab681727181b53f https://fourviewshist181.jenniferandrella.com/files/original/c84d2afb59e3dfe74995aeec341a1b17.png bc2683e09298bf60d255ad6b5bb75c99 https://fourviewshist181.jenniferandrella.com/files/original/27b7e5b85bdf7e08280ea65fb4d86809.png 55acb208fabeb618af718c3987e3f8b6 https://fourviewshist181.jenniferandrella.com/files/original/a403a62e03a30de0d700d8940018e893.png 67d7a57c74ffefb2bde6621b0911d75b Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Story Robe (Iitsiiniiksi'naatsin) Subject The topic of the resource Uploaded by Trace Le Description An account of the resource A Blackfoot Nation's hide story robe dated before 1856 Creator An entity primarily responsible for making the resource Unknown creator Publisher An entity responsible for making the resource available <a href="https://www.blackfootdigitallibrary.com/digital/collection/bdl">The Blackfoot Digital Library</a> Date A point or period of time associated with an event in the lifecycle of the resource Before 1856 Rights Information about rights held in and over the resource Copyrights belonged to the Blackfoot people; Noncommercial use only; Permission is needed for commercial use. Format The file format, physical medium, or dimensions of the resource Bison hide, dyes, dimension: 168 x 224 cm Type The nature or genre of the resource Hide painting Identifier An unambiguous reference to the resource within a given context <a href="https://mootookakiossin.ca/explore/objects/storyrobe_BM_1869/main">https://mootookakiossin.ca/explore/objects/storyrobe_BM_1869/main</a> Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Blackfoot territory, North America; 1856 bison hide Blackfoot Nation hide painting pictograph https://fourviewshist181.jenniferandrella.com/files/original/28748578343db7a7a4b268883d968571.png 075a3659fbfdc9d75883c5a4dc4ad1c5 https://fourviewshist181.jenniferandrella.com/files/original/0a532be233d5dc093e4ee74971b92ecc.png a286a3f4f311aa03d7844bb856016a66 https://fourviewshist181.jenniferandrella.com/files/original/bbc8983b6664f81e90612f4c571db057.png 97a31e0dc81be85271719a7feaf0d796 https://fourviewshist181.jenniferandrella.com/files/original/4b643321ab13b26b4263c6858ec78645.png 693a5695a1cd8c4a0dbc63641f70365a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pipe and Swan Bag Subject The topic of the resource Uploaded by Izayiah Hawes Description An account of the resource A disassembled pipe alongside a bag that was used to keep the two pieces together. Bag and stem dyed with red ochre Creator An entity primarily responsible for making the resource Assumed Piikani woman Publisher An entity responsible for making the resource available Blackfoot Digital Library: 3D Collection: <a href="https://www.blackfootdigitallibrary.com/digital/collection/bdl">https://www.blackfootdigitallibrary.com/digital/collection/bdl </a> Date A point or period of time associated with an event in the lifecycle of the resource 1900-1929 Rights Information about rights held in and over the resource Currently Cambridge university's collection, a part of the MAA Format The file format, physical medium, or dimensions of the resource Pipe: wood, Bag: swan's foot hide, Bowl: an unknown brown rock Identifier An unambiguous reference to the resource within a given context Pipe and Pipe bag Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Canadian and US prairies https://fourviewshist181.jenniferandrella.com/files/original/28ea171afc5510b2663faf5973fb5895.jpg 4b4b4b523e77cdac413512b36b362651 https://fourviewshist181.jenniferandrella.com/files/original/fb1a762a224cddaebbe743a923f8c498.png 1aeec0579253857b6cda89ba49f04ad9 https://fourviewshist181.jenniferandrella.com/files/original/22613dd91f6883b17ed1ecb3cb5bd5ca.png 6c500a9e18cc0a2898fb031d2ffa0acd https://fourviewshist181.jenniferandrella.com/files/original/16bc62ff48f8124abd53c0e8cc728773.jpg aa8d23a3b607508d75d7fa47ef49686a Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document The first view I chose to discuss was the whole bandolier bag. This artifact stuck out to me because of the vibrant colors and the exotic design. These items were created across all of the Indigenous lands throughout the U.S. It is believed that these items were made due to the Indian Removal act of 1830, which was when the Lenape were removed from their land by force. The patterns really stick out which make every bandolier bag different. This bag was used to complement men’s ceremonial outfits. Sometimes, the men even wore more than one bag which allowed them to dress in many colors and patterns. Typically, women were the ones to design these bags for the men. The women would gather trade cloth together which was made from cotton or wool along with other animal hides. With the materials they would gather, they could then craft the bandolier bags. The second view that I will be taking a look at is the composition. Bandolier bags were primarily composed of quills back when they were in their prime. Quills were first softened up until they were flexible enough to be woven onto Indigenous clothes. However, beads were another material that were stitched onto the cloth. These beads were called “seed beads” and the Indigenous people received them from European traders. The seed beads were made of glass and they were highly sought after due to their outstanding colors. Before beads were used to decorate the bags, porcupine quills were used instead. The porcupine quills were softened, dyed, and once malleable, the quills were stitched onto the cloth. The reason that people stopped using quills is because they required different techniques when it came to forming the bag. The quills got outdated and people started using beads instead. The third and most interesting view that will be discussed is the pattern of these bags. There are many different styles of bandolier bags, but one of the main styles is called the “prairie style.” The prairie style bag typically used glass beads with a floral pattern. While most of the bags stuck to a floral pattern, the patterns could also vary to more abstract pieces. Floral patterns are seen as a symbol of transformation in making art along with the creativity of people as they go through new experiences. Colorful and exotic patterns also determined who certain people associated with along with their social status. The final view I will be discussing is how bandolier bags are seen today in modern society. Bandolier bags are still worn and used today by people due to their significant history. Also, they are still seen as a large part of culture and ceremonial events. Artists are still gaining inspiration from these bags when it comes to their modern work. They continue to find new ways of interpreting these artifacts. There are even groups of bandolier bag artists that work together in designing creative artifacts like these. As the artists work together, they bounce ideas off of each other which allows them to come up with new patterns and models. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Views of Bandolier Bag- Ben Frericks Subject The topic of the resource The history of bandolier bags Description An account of the resource Smarthistory – Bandolier Bag Makers and Masterpieces: Baldric Sashes and Bandolier Bags at the Smithsonian (choctawnation.com) Creator An entity primarily responsible for making the resource Smarthistory Publisher An entity responsible for making the resource available 2024 SMARTHISTORY Date A point or period of time associated with an event in the lifecycle of the resource 05/17/24 Rights Information about rights held in and over the resource Legal https://fourviewshist181.jenniferandrella.com/files/original/8bf0d149d9653f84331f9a8514be0883.jpeg 1a87e8f669ee8842e99a50f712b0c3e5 https://fourviewshist181.jenniferandrella.com/files/original/0cf41906510048be5016785a77e62a36.jpeg 6adb0ddf672aa2bea0f6dfdf68b480ee https://fourviewshist181.jenniferandrella.com/files/original/d61d7d82a00807a9e50809e89b7bb836.jpeg d02fb5f9881888f4d7b014f1ef05e0a6 https://fourviewshist181.jenniferandrella.com/files/original/47300a12fae3abfa391e5a69cd6c28ce.jpeg 40ea52a49a3eb1288b2d7885eeb65d4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Parfleche Bag- Weasel Fat from the Kainai Tribe Subject The topic of the resource Victor L. Coutee Description An account of the resource A thin bag, made of dehydrated rawhide, meant to be traveled with on a horse's back and carry various materials. There are pasterns, painted with primary colors and black, meant to symbolize the near lands. Creator An entity primarily responsible for making the resource Weasel Fat (Kainai) Source A related resource from which the described resource is derived Kainai Blackfoot Publisher An entity responsible for making the resource available <a href="https://mootookakiossin.ca/explore/objects/bag_BM_1903/intro">Mootookakio'ssin</a> Date A point or period of time associated with an event in the lifecycle of the resource The 19th century. Rights Information about rights held in and over the resource Kainai Blackfoot, currently stored at The British Museum. Relation A related resource Dehydrated rawhide and paint. Format The file format, physical medium, or dimensions of the resource A Parfleche bag Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant The 19th century, the Great Plains. 19th Century bag blackfoot kainai Parfleche Bag rawhide https://fourviewshist181.jenniferandrella.com/files/original/85ba7224bebf1afd4bf0690ea12e140c.PNG 703b87b334f34fe6a6c727160749dc86 https://fourviewshist181.jenniferandrella.com/files/original/1d4eee1c10489fb92d5bb29fc6b8aa87.JPEG 2dd1bdf13c8f8e9d242cf8ce6f21ca8c https://fourviewshist181.jenniferandrella.com/files/original/dddb1186a0497c00d8fce47790cdb902.JPEG 7edac577e70176a8eeaf0ca6d2c775ba https://fourviewshist181.jenniferandrella.com/files/original/c98b181160d3dfff519ab2fc747c0584.JPEG 75e17c6d96b09604da3f936f9d4d29b8 https://fourviewshist181.jenniferandrella.com/files/original/2b3b740e4729c24f9836cb33b4d2d352.JPEG f5bd58abf1b0c9149d32f2c7576f9f76 Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Text Any textual data included in the document This piece of art is from the Duwamish Tribe back in Seattle Washington and we were actually given these when my mom started her Dental Practice there over 20 years ago. I’ve seen this piece of art countless times as I go into work but I actually have never done any research on where this is from or what it represents. So after some time and research, this piece of art was relevant to trade because of the story that it tells. There are many interpretations of this artwork since there are many tribes in the Pacific Northwest, but they all have the same basics. On top is the mythical Thunderbird and on the bottom is the mimlos-whale. There was a great flood at the time and the thunderbird fought a long battle with the mimlos-whale. He would seize the whale in his talons but the whale kept escaping. It was a game of cat and mouse, but finally at the end the mimlos-whale managed to escape to the deep sea. Due to this event, the Duwamish and other native tribes believe that this is why no trees grow on the Olympic Peninsula prairies and other places around there because the winds were so strong that it pulled trees out of the ground. From the old tales, the mimlos-whale/killer whale is actually depicted as the evil nature in this story. The Duwamish believed in balance and harmony and this killer whale represented the bad of it. From the story it also explains that this battle was the reason why the mimlos-whale decided to stay in the deep ocean and the thunderbird stayed in the skies. Balanced as it should be. Although the killer whale is represented as evil in the story, the animal is assigned with great strength and longevity. Which has been shown in the story on how he keeps battling and never giving up even when it seems like it's over. So this is the legendary Thunderbird. The thunderbird was a mighty beast that was said to bring lighting, floods, thunder, and great winds. This mighty beast brought lighting from his chest, made the strong winds from the flapping of his wings, which is why no trees grow on the Olympic Peninsula. He also could bring great floods with just an angry mood. He is rumored to have lived in the Olympic glacial field under the ice, and everytime he returned the ice would move and shake. Most importantly, this creature was very important to Indigenous Tribes in the Pacific Northwest because he represented a supernatural being that connected the spiritual world with the physical world. The faces and markings on the whale are a bit odd but they make sense. The face next to the head of the whale is actually the white spot on the orca, like how they're actually eyes are not the giant white spots on their head. However I think that this face is meant to represent some kind of evil or bad action. The middle part of the thunderbird is actually said to be two monstrous feathered snakes and they dart out whenever they want to create lighting when angered, but these two faces are a part of something good(Thunderbird). The face on the orca’s fin represents evil. Just like the other face, they all add up to make the evil(which is the whale), and in balance you have the two snakes to balance out the two faces. In the end everything is balanced. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Views on Thunderbird and Mimlos-whale Subject The topic of the resource Wood carving of Thunderbird and Mimlos-Whale Description An account of the resource Old wood carving in my mom's dental office Creator An entity primarily responsible for making the resource Donated to us by Duwamish tribe patients Source A related resource from which the described resource is derived https://pnsn.org/outreach/native-american-stories/thunderbird-and-whale/thunderbird-and-whale-overview https://www.pnsn.org/outreach/native-american-stories/thunderbird-and-whale/thunderbird-and-whale-stories/tales-from-the-hoh-and-quileute https://nativecanadianarts.com/gallery/kwa-gulth-thunderbird-and-killer-whale/ https://theenlightenmentjourney.com/the-thunderbird-and-whale-tlingit-story-of-transformation/ https://www.britannica.com/topic/thunderbird-mythological-bird Publisher An entity responsible for making the resource available Was made before I was born and probably before my parents were born or even further back. Date A point or period of time associated with an event in the lifecycle of the resource A long time before Seattle became a big city, maybe even a city Contributor An entity responsible for making contributions to the resource Duwamish Tribe and my mom Rights Information about rights held in and over the resource Given as gifts to us. Relation A related resource My mom has this in her dental office https://fourviewshist181.jenniferandrella.com/files/original/251f0bdcc9d2979d5be3c389b7a71015.png fee10e4861fb07e7c14babb089197fd2 https://fourviewshist181.jenniferandrella.com/files/original/73f6714f5aa2263a32eee21791602dd4.jpg 45e90bf835d27efe3b62c985e17dec43 https://fourviewshist181.jenniferandrella.com/files/original/538e4caba67e5d464b26095a71183048.png ae83dfb260163f929d08c63efc303203 https://fourviewshist181.jenniferandrella.com/files/original/cbad7f3c2f24adf90aa1b17c13939013.png ec8263b5178817ee5de1438dd9e84722 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Views of a Drum Subject The topic of the resource A British military drum. Description An account of the resource An old drum with native cultural paintings. Source A related resource from which the described resource is derived https://grasac.artsci.utoronto.ca/?p=377 https://fourviewshist181.jenniferandrella.com/files/original/3324d57a8f0c9de94868351a31dcb69f.png 6795884fd80512d62c09420b7d6739d5 https://fourviewshist181.jenniferandrella.com/files/original/33e459ecd2eda3917ee6c7ec0f7b6678.png c328d378d994c2e39790fd5243fe667e https://fourviewshist181.jenniferandrella.com/files/original/703c0d12940449a1761496a3b19e9289.png d9210d7169c380e158dba6652f89dd92 https://fourviewshist181.jenniferandrella.com/files/original/cbd63aff1f6f6081fb4ac93a40250a9e.png 83912fa5ac6bef68f94379fea7c62a6c Physical Object An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Four Views of a Parfleche Bag Subject The topic of the resource Uploaded by Sage Yoerger Description An account of the resource A rawhide Parfleche bag that belonged to Weasel Fat, a Kainai (Blood) Blackfoot man, prior to 1884. Creator An entity primarily responsible for making the resource Unknown creator Publisher An entity responsible for making the resource available Blackfoot Digital Library Date A point or period of time associated with an event in the lifecycle of the resource Prior to 1884-1901 Format The file format, physical medium, or dimensions of the resource Rawhide, paint Type The nature or genre of the resource Carrying container Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Kainai reserve (modern-day Alberta, Canada) https://fourviewshist181.jenniferandrella.com/files/original/361eacc7ba8235c6f7dea75baed3dbea.png edf7b1375f71d74b18e19f94194fedb5 https://fourviewshist181.jenniferandrella.com/files/original/c1a218c4a9a1450341060609d836c06d.png 4557c83bca2f0e008d160dd625d5f4ac https://fourviewshist181.jenniferandrella.com/files/original/5ca5367fdcd3f25cb00aaf3db3858641.png 0a6a1798b93be3ff196e239681650341 https://fourviewshist181.jenniferandrella.com/files/original/90d750d4fff20f1d1a84e2f57fdf4ebc.png 97c19791a2d1401b0470791fb9d2d6d8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dance skirt/kilt Subject The topic of the resource Uploaded by Israel Escamilla Description An account of the resource A skirt from the Wichi tribe is used for religious ceremonies, featuring feathers at the bottom and tiger skin in the middle, as well as a string of red seed beads across the skirt. Creator An entity primarily responsible for making the resource Anonymous Publisher An entity responsible for making the resource available National Museum of the American Indian (NMAI): https://americanindian.si.edu/collections-search/object/NMAI_143137 Date A point or period of time associated with an event in the lifecycle of the resource 1846 Rights Information about rights held in and over the resource Rights held by the NMAI, usage conditions apply Format The file format, physical medium, or dimensions of the resource Hide, wool cloth, rope, feather/feathers, fur, seed/seeds; Dimensions: 75x49 cm Type The nature or genre of the resource Dance Skirt/Kilt Identifier An unambiguous reference to the resource within a given context NMAI_143137; http://n2t.net/ark:/65665/ws6c95f078d-2586-48bb-856a-ec63720cda8e Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1846; Wichi Homelands(Gran Chaco,Bolivia)